Free Trumpet Lesson Videos by Pops McLaughlin (page 1)
Pops playing to A under triple C. The key is to NOT over-compress, not over-tighten, and not choke the sound.
Lip Buzzing and the Aperture Tunnel (TM).
4-octave lip buzz.
Keith Fiala talking about Maynard Ferguson and how mouthpiece buzzing helps resonance,….
Didgeridoo for relaxing the face.
Keith Fiala on the didgeridoo for relaxation – part 1
Keith Fiala on the didgeridoo for relaxation – part 2
Pops and Keith on headaches and high notes.
Working on Setpoint and Don’t Let the Sun Go Down.
Brandenburg 2
Buzzing to clear up sound.
The air starts coming through when the diameter gets too big for the player. (I asked him to play a piece that we knew was too big to get the sound for you to hear.)
Andrea Tofanelli and Pops Playing trumpet. Pops is off-camera.
Training high playing aperture with super soft Clarke.
About Lip Setpoint and why it is important.
How and why we learned to play with too much tension. Knowing how it happened helps us learn to fix it.
Why and how to mouthpiece buzz.
This relaxed buzzing helps to reduce facial tension, and stiff lips and allows you to learn to use your strength where you need it and NOT everywhere.
Buzzing low and loose to relax the face and lower tension.
Andrea Tofanelli on mouthpiece buzzing.
Low-pressure grip for trumpet
Arban intervals page 125 line 1. Extended 1 octave in both directions from G2 to C6.
